Poetry at Beinecke Library

US Poet Laureate Natasha Trethewey Reading at Beinecke 2-14

Posted in Announcements, Beinecke Collections, Exhibitions, Poetry at Yale by beineckepoetry on February 7, 2013

Thursday, 14 February 2013 at 4:30 PM

A Reading from Thrall by US Poet Laureate Natasha Trethewey

at Beinecke Library, 121 Wall Street, New Haven, CT

Natasha Trethewey is the 19th United States Poet Laureate (2012-2013). In his citation, Librarian of Congress James Billington wrote “Her poems dig beneath the surface of history—personal or communal, from childhood or from a century ago—to explore the human struggles that we all face.” She is the author of Thrall (2012), Native Guard (Houghton Mifflin), for which she won the 2007 Pulitzer Prize, Bellocq’s Ophelia (Graywolf, 2002), which was named a Notable Book for 2003 by the American Library Association, and Domestic Work (Graywolf, 2000). She is also the author of Beyond Katrina: A Meditation on the Mississippi Gulf Coast (University of Georgia Press).

This event is in conjunction with the Beinecke Library’s current exhibition:

By Hand: A Celebration of the Manuscript Collections of Yale University’s Beinecke Rare Book and Manuscript Library

On view January 18 – April 29, 2013

By Hand celebrates the fiftieth anniversary of Yale’s Beinecke Rare Book and Manuscript with an exploration of its manuscript collections.  The exhibition begins where the Yale College Library collection of early manuscripts began, with a mirror of humanity, a copy of the Speculum humanae salvationis given by Elihu Yale.  It ends with the manuscripts and drafts of “Miracle of the Black Leg,” a poem written by U.S. Poet Laureate Natasha Trethewey while she was a research fellow at the Beinecke Library in 2009.

Manuscript, from the Latin term “by hand,” derives from the ablative case:  locational, instrumental, situated always in relation to something or someone else.  Like the term, this exhibition explores the reflections of humanity in the Beinecke’s manuscript collections, presenting them as markers of the social contracts of love, creativity, need, power, that bind us into historical record even as they bind us to one another.

The exhibition ranges across the Beinecke Library manuscript collections, in an extraordinary display of the Library’s manuscript holdings, from papyri of the 2nd century A.D. through working drafts by contemporary poets, from manuscripts in the original Yale Library to recent additions to the collections. On view are manuscripts, notes, and proof copies of works by Langston Hughes, Rachel Carson, Edith Wharton, Zora Neale Hurston, Terry Tempest Williams, James Joyce, F. T. Marinetti, Goethe, and others; the Voynich Manuscript, the Vinland Map, the Lewis and Clark expedition map and journals, the Martellus map; the last paragraphs of Thoreau’s manuscript of Walden; letters, postcards, poetry, and notes by Ernest Hemingway, Gertrude Stein, Georgia O’Keeffe, Franz Kafka, Mark Twain, Erica Jong, and others;  early manuscripts from a tenth-century Byzantine prayer roll, a fragment of lyric verse on papyri, the Rothschild Canticles, a fourteenth-century ivory writing tablet, and the first illuminated medieval manuscript known in a North American collection.

Image:Natasha Trethewey, working notes for “Miracle of the Black Leg, ca. 2009; loaned by the author to the exhibiton, By Hand

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